Metal Prints

Double Float Metal Print: A smaller metal print floats before a second, larger metal print base.

Created by infusing dies directly onto aluminum sheets, metal prints are my newest art medium offering. The print has a magical, brilliant luminescence while retaining detail and resolution because the dyes are infused into the metal surface rather than onto the surface.

Metal prints can be ordered as large as 40×60. Options include single prints, double floats, or framed double floats, as well as sharp square, rounded, or scallopped corners.

These durable archival prints have an ultra-hard scratch-resistant surface, are waterproof and weatherproof, and can be easily cleaned with any commercial glass cleaner. I’m offering metal prints to my portraits-weddings-event photography and fine art photography customers, with a choice of three different surfaces:

White High Gloss – Brilliant high gloss surface that shows every detail. Excellent surface for any subject matter especially nature, water, cars and so on. Maximum wow factor.

White Satin - Smooth, very even and soft appearance. Great for portraits, weddings and if surface reflection is a concern.

Sheer - Allows the surface of the metal to show through giving the image a translucent luminescence. This unique glossy material works well with high key images and images with subtle color transitions.

Wondering how to hang and display your unique, georgeous metal print? Choose from the following:

Easel stands for print sizes up to 11×14

Corner-drilled holes (print sits flush against wall)

Float mount block (print appears to float in space 1/2 inch off the wall)

Contemporary wood frame with pewter finish (print is recessed in the frame about 1 1/2 inches for an attractive depth

For an extra special presentation, try the double float metal print, where a smaller metal print is floated off a second, larger metal print base, or even better, the framed double float metal print!

Double Metal Float - Basking in the Glory of Sunset I, Chincoteague National Wildlife Refuge, Viginia. A smaller metal print (12x18) floats before a second, larger metal print (14x20). For this print, I chose the back print to be an opaque version of the front print, with an opacity gradient running diagonally from the upper right corner.

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